Sales n' Things

I know you're all being inundated with CRAZY FRIDAY POST-THANKSGIVING FOOD COMA SPEND MONEY NOW offers, so allow me to quietly, respectfully, slip this into your discount pile ...

It expires at midnight on Tuesday, December 2nd to, y'know give you an extra day to relax a bit.

And hey, if you're a Patreon person, you get even more off! Check out the activity feed for deets.

(if you're not a Patreon person, it's super easy to join in the behind-the-scenes comic talks we're having!)

 

Cyber Funday

It's that crazy wacky time for Cyber Monday Sales!

Which means it's the last day to get 20% off everything I've got AND a free sticker, to boot! Can't be beat! Check out the stuff in the store here - I added a whole buncha originals yesterday.

Also, I watched Catching Fire this weekend.

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Print Prepping Away

The 2nd wave of con season is almost at hand! For me, I've got TWO local shows back to back in September (Baltimore Comic Con, followed by SPX), an appearance at New York Comic Con in October, and oh yeah that little local show I'm organizing in a bar on August 24th. What makes it extra fun is all the out-of-state traveling I'll be doing between now and then. Yippee!

Luckily I enjoy coming up with little crafty goodies I can sell alongside my comics, so here's a preview of some new things I'm whipping up for the fall shows.

Lately I love making these little hanging prints - i.e. prints that you can hang anywhere you want - on a bulletin board, a fridge, a rear view mirror, etc. In the past I've only done some of my animal prints:

So I thought, hey, why not do some Bonnie ones??

Since logistically I couldn't fit the WHOLE strip on my little wood flats, I've taken a couple of choice one-panel frames of some of my favorite moments. Here's what the back looks like:

Also, I'm making some regular ol' prints of Bonnie  - an 8 x 10 of Work Bonnie and a 5 x 7 Vacay Bonnie. Now I just need to come up with a Beast Mode Bonnie . . .

So if you're going to be around at either Baltimore or SPX, come by and check out all the Bonnie prints! And if you can't be at those shows, I'll let you know once I've put them up online for sale! :D

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Juggling with Crazy

Sometimes it gets really frustrating trying to juggle what you want to do. Recently I cut my hours at my day job from 32 to 24 a week - which means 1 whole extra day I can spend at home making progress on comics, evolving my website into more of a business platform, and planning new ideas/projects. Time that would allow me to eventually (in theory) help me evolve out of my day job completely.

So how do I handle the juggling of the day job with the home studio job? I make myself schedules. Crazy Person Schedules that I'll never be able to actually follow.

My Crazy Person Schedule Categories:

  • PRE-WORK - What I expect to get done in the extra hour I wake up before having to get ready for my day job
  • DAY JOB - How much time I spend at my day job and commuting to/from
  • WEBSITE - Maintenance and graaaadually fixing/improving things I want to fix
  • BIZ - All the things I need/want to do to make this freelance thing happen full time
  • WEBCOMICS - Regular planning/drawing/posting for Bonnie N. Collide twice a week (and soon Gods & Undergrads once a week!)
  • BOOKS - Thumbnailing/drawing secret book projects
  • EXERCISE - When and what kind of exercise I plan on doing
  • FREE TIME - When I'm allowed to kick back and won't feel guilty for doing nothing and/or something else besides art work

I have yet to incorporate any of these schedules into my actual life, and I just designed my 4th one. For some reason, it gives me great peace of mind just to create them. Usually there are so many things floating around in my head about what I anxiously want/need to get done that I get frantically unproductive. The schedules help me visually map out what I'm expecting out of myself (and how unreasonable it normally is).

It's a constant struggle when the rest of the 9-to-5 world only understands that weeknights are for TV or going out to dinner and weekends are for going out with friends. I love my friends and I love relaxing with my boyfriend but there's the constant, neverending pressure that I NEED TO BE MAKING PROGRESS. Persistence and regular practice makes perfect. Or in my case, it will take me where I want to go with my life and my art career.

So I'm ready to start this next week planning on following SCHEDULE #4. Wish me luck! How many other fellow jugglers out there are making things work? And are you doing it with or without imaginary schedules?

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CCRG Bout Tomorrow!

 

I'll be selling my wares tomorrow night at the Charm City Roller Girls bout at Du Burns Arena! Come on out to cheer on our local teams - Female Trouble and the CCRG All Stars, or go crazy and support the out-of-towners - Garden State Roller Girls and Rat City Roller Girls. Although, we can't promise what will happen to you if we catch you cheering for Rat City ... ;)

Comics vs. Crafts

Yesterday I exhibited at my first craft show, and it was interesting to compare the experience to comic shows (which are normally more my bag). Since I've applied to craft shows before but never been accepted, I was nervous. I wasn't sure the crafters would accept me into their clan.

Luckily, the experience was wonderful! Crafters seem to be just as supportive and excited about each others' work as indie comickers are. Just as shy, too. I mean, I'm used to comic exhibitors practically throwing their necks out just to avoid eye contact and using any excuse to leave the table rather than discuss their own work (and I'm including myself in this group). So it was kind of charming to see crafters with their beautiful, elaborate displays of hand-woven jewelry ... likewise all crouched in a corner, panicked when a customer greeted them.

Here are a few of the things I noticed:

  • Lots of pregnant women with adorable babies strapped to them in various intricate contraptions
  • Maxi dresses in wonderful patterns
  • Lots of supportive comments from visitors, telling me they loved that I was a writer, illustrator, and designer :) (which means now I'm allowed to refer to myself as a triple threat, right? In my mind?)
  • A great variety of jewelry, perfume, wearable things, hangable things, loveable things
  • A MUCH better smell wafting through the place as a whole. Sorry Comic Cons, but crafters have you beat. No longer was there the whiff of B.O. swirling about - instead it was just the sweet aroma of savory soaps and perfumes. Yum.
  • I met Young House Love superstar blogsters John & Sherry, whose mere presence shamed my boyfriend into taking on more home improvement projects. All part of my evil plan!
  • Regrettably, my work sparked this question in a little girl:  "Mommy, what does -" points to my Tiger print "- 'sexy' mean?" My bad, mother of little girl.

I also picked up this little number from Monkey Dog Studio:

As well as checked out some gorgeous stuff from:

After the show, Dennis and I dragged ourselves on over to the Sine Irish Pub. There, we did some pub crawler participant watching (too drunk at stop #1, they were) and I obsessed over the safety of my car in an "Honor Code" parking lot until Dennis put money in the parking lot slot. Has anyone else ever encountered a parking lot, with plenty of empty spaces, on a Sunday, with a big scary sign that tells you you still have to pay something, even though it's Sunday and no one's around? Oh well, it was enough to have me shivering in my britches, so even though everyone we asked told us we didn't have to pay, my honor remains intact.

Peace out, Richmond, that was a wonderful Sunday trip! And I can't wait to go back to Spring Bada Bing!

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Comics vs. Crafts

Yesterday I exhibited at my first craft show, and it was interesting to compare the experience to comic shows (which are normally more my bag). Since I've applied to craft shows before but never been accepted, I was nervous. I wasn't sure the crafters would accept me into their clan.

Luckily, the experience was wonderful! Crafters seem to be just as supportive and excited about each others' work as indie comickers are. Just as shy, too. I mean, I'm used to comic exhibitors practically throwing their necks out just to avoid eye contact and using any excuse to leave the table rather than discuss their own work (and I'm including myself in this group). So it was kind of charming to see crafters with their beautiful, elaborate displays of hand-woven jewelry ... likewise all crouched in a corner, panicked when a customer greeted them.

Here are a few of the things I noticed:

  • Lots of pregnant women with adorable babies strapped to them in various intricate contraptions
  • Maxi dresses in wonderful patterns
  • Lots of supportive comments from visitors, telling me they loved that I was a writer, illustrator, and designer :) (which means now I'm allowed to refer to myself as a triple threat, right? In my mind?)
  • A great variety of jewelry, perfume, wearable things, hangable things, loveable things
  • A MUCH better smell wafting through the place as a whole. Sorry Comic Cons, but crafters have you beat. No longer was there the whiff of B.O. swirling about - instead it was just the sweet aroma of savory soaps and perfumes. Yum.
  • I met Young House Love superstar blogsters John & Sherry, whose mere presence shamed my boyfriend into taking on more home improvement projects. All part of my evil plan!
  • Regrettably, my work sparked this question in a little girl:  "Mommy, what does -" points to my Tiger print "- 'sexy' mean?" My bad, mother of little girl.

I also picked up this little number from Monkey Dog Studio:

As well as checked out some gorgeous stuff from:

After the show, Dennis and I dragged ourselves on over to the Sine Irish Pub. There, we did some pub crawler participant watching (too drunk at stop #1, they were) and I obsessed over the safety of my car in an "Honor Code" parking lot until Dennis put money in the parking lot slot. Has anyone else ever encountered a parking lot, with plenty of empty spaces, on a Sunday, with a big scary sign that tells you you still have to pay something, even though it's Sunday and no one's around? Oh well, it was enough to have me shivering in my britches, so even though everyone we asked told us we didn't have to pay, my honor remains intact.

Peace out, Richmond, that was a wonderful Sunday trip! And I can't wait to go back to Spring Bada Bing!

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Crafty Time!

This weekend I'm super excited to say I'll be exhibiting at my very first craft show! *wooooooo*

Spring Bada Bing in Richmond, Virginia this Sunday, April 15th from 11 a.m. - 5 p.m. On the unholiest of Tax Days, why not come out and support some creative crafters and get some yummy food?

I'm prepping for it right now ... I'll have Greek God Cuffs, Hanging Prints, Animal Spirit Guides, mini-comics ... hope to see you all there!

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Trips Be Necessary

Sometimes it's so durn hard just to retain a little positivity throughout the day. I let myself get bogged down in the minutiae of the gridlock and mind numbingly dull work conversations to the point where I forget about stuff to look forward to. But luckily . . . that's where random road/plane trips come through to save my outlook.

Last week I got to attend the HOW Interactive Design Conference in San Francisco, one of my favoritest of places. I used to go to San Fran on a yearly basis, thanks to the kickass indie comics show APE, that takes place annually at the airy Concourse Exhibition Center. For four lovely years in a row my friends and I would pack our gear, pick a pink hotel to stay in, and immerse ourselves in the hilly chilly lifestyle of that fair city. Sadly, when APE moved from APE-ril to November, I stopped going and haven't been back since. I also started going to Portland in April, and was forced to make a West Coast choice. I'm sorry San Fran! I'm so sorry!

Anyway. Just being back flooded me with warm snuggly memories. (Despite the fact that the homeless population has gotten a wee bit more aggressive since the last time I was there. Oddly enough, I can now say I haven't been trailed by scary guys in Baltimore as much as I have in SF.) And I'm not sure if it was the uber inspiring conference, the chance to meet up with friends AND family AND meet faces in person (the amazing Adrianne Ambrose), or the major bucks I dropped at H&M (it was RIGHT. ACROSS. THE STREET!!) ... but I've returned home feeling full of things to be happy about.

Thing #1: My new book to read

The Marriage Plot by Jeffrey Eugenides. I've been a drooling fan of  his since Virgin Suicides, and although I haven't read all of Middlesex yet, I was dying to read this one. Happily, it hasn't disappointed and it successfully kept me entertained through the multiple bumpy plane trips I endured in the last week.

Thing #2: My new way to run

It looks totally silly, and I've already lost my balance AND made my calves super sore by attempting it, but I love the idea of this Once and Future Way to Run. Although, admittedly, my favorite thing about this could be the random Peter Sarsgaard in the video. The world would be a better place if it had some more P.S. Or is this just because I've seen Skeleton Key too much lately, and my logic is all skewed?

http://video.nytimes.com/video/2011/11/02/magazine/100000001149415/the-lost-secret-of-running.html

 

Thing #3: My extra hour

That's right, it's mine, that hour. For all the people who complain about winter and the darkness creeping in on them at 5:00 when they're trying to leave work and make it home before the vampires get out ... I say "God, finally!" Fall is engulfing us and winter is right around the corner and everyone is batting down the hatches trying to get ready. Here's to layers, gray mornings, crisp weather, and all the loveliness that is November!

Ding ding!

Sorry I've been so quiet over here - now I'm waaayyyyy over here on the west coast for the rest of this week! I'm super excited to be attending the HOW Interactive Design conference in San Francisco - giving me a chance to brush up on these CSS skillz I'm slowly accumulating. In the meantime, I picked up Jeffrey Eugenides' latest book that I'm already enamored with - The Marriage Plot. I adored Virgin Suicides (as evidenced by my comic version here) but never read all of Middlesex. If any of you out there haven't read any of his books, they're a wonderful, heady blend of prose and imagery to completely immerse yourself in.

I also can't wait to pick up Mindy Kaling's new book - quick, I need more plane trips in my future so I can finally reeeead!

Wait ...

Just What I Always Wanted!

Little by little, I'm revamping my website. But going at a snail's pace is really difficult when you know what you want to do but ... not how to do it. I knew I wanted my portfolio page to be separated into sections (latest work, work done for hire, etc.), but I couldn't decide how best to present that information. I had originally listed oodles of thumbnails which, when clicked, gave you larger images. But who wants to do all that clicking? I liked the idea of having big images visible without an extra click, but I wasn't sure how to show all of them at once. Splitting each section into scrollable parts was irritating and aggravated my tendonitis with all the places to click and drag.

Finally I discovered all these gorgeous, endlessly side-scrolling websites like JessicaFortner.com and  Klas Fahlen (both recommended by HOW) that I desperately wanted to emulate. But, the sneaky thing they both had that I couldn't for the life of me figure out was the fixed menu. The images could scroll beautifully by, but a fixed header? Surely you jest.

Since my approach to web design leans toward the haphazard and CSS still makes me a bit squeamish (we're getting to know one another, but we haven't exactly gotten to any bases yet), I wasn't sure I'd be able to work this one out.

BUT! I am thrilled to announce that after hours of frustrating trial and error, ending with just a wee bit of CSS wrangling (mainly adding <div> tags around the parts of the page I wanted fixed, and adding a position:fixed style to them, then putting the scrolling items in a table surrounded by <div> tags - you can check my code for the messy deets), voila!

A shiny new portfolio page!

 

So far only the "recent work" and "for hire" areas are ready to be seen on the side menu, but there'll be plenty more adding and adjusting to come. I was just too giddy giddy gumdrops not to share this!

Oh: and also, as stated, I was so excited to get this up that I'm sure there will be browser conflicts - if you encounter any, please let me know! And if you've the wherewithal, feel free to throw any suggestions my way in how to make it work!

My Big Fat Wall Calendar

Sometimes all the projects I'm currently working on and want to be working on and anticipating what's coming up next is a bit mind-boggling for me. I definitely prefer looking at the big picture, if I can. I've wanted a giant, yearly wall calendar for my office for a while now, but wasn't having any luck locating anything. Eventually I decided to create my own - hence the wall I painted over with chalkboard paint in this previous post. At first I thought it'd be cool to use this wacky whiteboard paint and make myself a giant whiteboard (what will they think of next??) but didn't trust myself or my bumpy walls to do a good enough job. I figured chalk would be much more forgiving. So after some measuring and tiring out my arms by holding them over my head too long ... ta daaaaaa!

All finished! Now, my first inclination was not to draw in the month divider lines with chalk but to use thin tape instead - but so far I haven't had any luck finding any. I got some Artist Tape, which was thinner than regular masking tape but too low-tack to stick. Actually, not much really sticks to the chalkboard, unfortunately, so I have to scrap the idea to put up post-its for detailed info. It's hard to fit a lot of words in using  these thick chalk sticks.

Years ago I worked in a coffee shop that had a giant blackboard that we'd write the daily specials on in the same vein as Starbucks, and I think I remember that we'd wet the chalk in order to achieve a thicker, more paint-like line. But I'm not positive. Anyone out there have any cool chalkboard tips?

Book Cover Experiment

One way I've decided to save space at this convention is to combine each of my comic book series into cute little packs. For example, since I have three Lipstick & Malice's for sale, I'm going to sell them as a cute triple pack instead of individually, hence taking up less room on my table. I can do the same for Bonnie N. Collide (three of those) and Gods & Undergrads (two of those).  But how to bind them together?

Over the years and conventions, I've seen a couple of cute ways to bind several books of a series together. But frankly - I haven't got much time and I'm not very gifted in the crafty. So I decided (as is my custom) to just haphazardly try something out and see if it worked. Here goes ...

First, I got the books together I wanted to combine.

Then I started out by wrapping a plain piece of cardstock around them to see how it would look.

Since that seemed wayyyy too big (since it's 8 1/2" x 11"), I thought I'd try out what half of a sheet of paper would look like when wrapped around my books.

This was better, but I still felt like it was a tad big, so I halved it again, ending up with a 1/4 sheet of paper.

So I wrapped it around, testing out the size, and started to make sketches of the design I wanted to put on it.

I punched a hole where the two ends overlapped, giving me something that would (hopefully) hold the wrapper in place.

Now that I had roughly the dimensions I needed my wrapper to be, I sketched light pencil lines where the creases were ....

And scanned the scrap of paper in, sketches and all. This gave me a template to use for creating a more polished looking design in Photoshop.

I used the pencil lines as guidelines for where to keep my edges. And when it was done, I printed it out - 4 to a page (since I made mine 1/4 the size of a piece of paper), printed on cardstock with the settings to "borderless printing".

Now that I had it printed and cut up, I punched holes in the wrapper.

And wrapped it around my books to make sure it still fit okay.

Then, for flare, since you can never have enough flare ... I cut a piece of ribbon out to thread through the punched holes.

And tied a neat little bow. So - voila! There you have it - a tiny little book sleeve for a 3-pack series of books, all totally possible to recreate yourself.

 

Book Cover Experiment

One way I've decided to save space at this convention is to combine each of my comic book series into cute little packs. For example, since I have three Lipstick & Malice's for sale, I'm going to sell them as a cute triple pack instead of individually, hence taking up less room on my table. I can do the same for Bonnie N. Collide (three of those) and Gods & Undergrads (two of those).  But how to bind them together?

Over the years and conventions, I've seen a couple of cute ways to bind several books of a series together. But frankly - I haven't got much time and I'm not very gifted in the crafty. So I decided (as is my custom) to just haphazardly try something out and see if it worked. Here goes ...

First, I got the books together I wanted to combine.

Then I started out by wrapping a plain piece of cardstock around them to see how it would look.

Since that seemed wayyyy too big (since it's 8 1/2" x 11"), I thought I'd try out what half of a sheet of paper would look like when wrapped around my books.

This was better, but I still felt like it was a tad big, so I halved it again, ending up with a 1/4 sheet of paper.

So I wrapped it around, testing out the size, and started to make sketches of the design I wanted to put on it.

I punched a hole where the two ends overlapped, giving me something that would (hopefully) hold the wrapper in place.

Now that I had roughly the dimensions I needed my wrapper to be, I sketched light pencil lines where the creases were ....

And scanned the scrap of paper in, sketches and all. This gave me a template to use for creating a more polished looking design in Photoshop.

I used the pencil lines as guidelines for where to keep my edges. And when it was done, I printed it out - 4 to a page (since I made mine 1/4 the size of a piece of paper), printed on cardstock with the settings to "borderless printing".

Now that I had it printed and cut up, I punched holes in the wrapper.

And wrapped it around my books to make sure it still fit okay.

Then, for flare, since you can never have enough flare ... I cut a piece of ribbon out to thread through the punched holes.

And tied a neat little bow. So - voila! There you have it - a tiny little book sleeve for a 3-pack series of books, all totally possible to recreate yourself.

 

Nerdin' Out

Wearing my glasses, OD'ing on coffee, and doing my taxes. Yes, it's an exciting Saturday morning in my house! For some reason I secretly enjoy pouring through a year's worth of receipts and book orders and calculating just what exactly happened in 2010. Is that weird? I'm also listening to episode after episode of A History of the World in 100 Objects, a fabulous BBC podcast. Learning things like how the first evidence of written language was of inventory of beer. And how people used to bury prize weapons (like jade axes) with the dead so they would never be used again. Neat!

So because the soundtrack to my day is primarily British voices, I'm inspired to post a little Giles sketch I did a ways back ...

Nerdin' Out

Wearing my glasses, OD'ing on coffee, and doing my taxes. Yes, it's an exciting Saturday morning in my house! For some reason I secretly enjoy pouring through a year's worth of receipts and book orders and calculating just what exactly happened in 2010. Is that weird? I'm also listening to episode after episode of A History of the World in 100 Objects, a fabulous BBC podcast. Learning things like how the first evidence of written language was of inventory of beer. And how people used to bury prize weapons (like jade axes) with the dead so they would never be used again. Neat!

So because the soundtrack to my day is primarily British voices, I'm inspired to post a little Giles sketch I did a ways back ...